Choose wall mirror frame styles to match your home’s decor, or shop for a frameless, organically shaped mirror that’s cut or beveled for a clean yet distinctive showpiece. For a similar effect, surrounding your mid-century modern wall mirror with leafy air plants and fern floor plants can amplify the sense of serenity that greenery offers in your home.
#GREEN GRADIENT WINDOWS#
Pull your landscaping’s colors and textures indoors, Louis XIV–style, by covering the length of an interior wall across from your living-room windows with wall mirrors.
A mirror-manufacturing rivalry between Paris and Venice took shape, and soon, across from 17 large windows that open out over the adjacent Palace Gardens on one side of the Hall, more than 350 mirrors - large mirrors made of groupings of small panes - were installed, effectively bringing the radiant colors of the outdoors into the opulent corridor. But you don’t need hundreds of enormous arched French or Italian mirrors framed in gilded bronze to dress up your home (maybe just a few).įor the Palace of Versailles during the 17th century, French King Louis XIV ordered the construction of the Hall of Mirrors after spending millions of dollars importing expensive Venetian mirrors from the revered glass-blowing factories on the island of Murano. Vintage and antique wall mirrors add depth and openness to a space - they can help create the illusion that a narrow hallway isn’t so narrow. Finding the Right Wall Mirrors for YouĪ few well-placed wall mirrors can amplify lighting and help showcase the decorative and architectural features of your home. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor.
It’s difficult to overstate the influence that modernism continues to wield over designers and architects - and equally difficult to overstate how revolutionary it was when it first appeared a century ago. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair - crafted with his romantic partner, designer Lilly Reich - and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface avoidance of ornament.”Įarly practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.įollowers of both groups produced sleek, spare designs - many of which became icons of daily life in the 20th century. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. The late 19th and early 20th centuries saw sweeping social change and major scientific advances - both of which contributed to a new aesthetic: modernism.
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